My book is based on my own research and interviews, but I like to hear the thoughts of Prince fans and others who will be interested in reading the final version. After all, I was motivated to write it because it seems that people are not completely clear on Prince's spiritual evolution, which has, no doubt, impacted his music.
On April 18, I decided to conduct a Twitter Chat on Prince and spirituality. I advertised on Facebook, Prince.org, Princefams.com and my Twitter account, of course.
*Click on screen shots for better quality*
Here are the six questions (roughly two were asked each day) and some responses:
1) What are your thoughts on Prince as a spiritual artist?
2) Thoughts on Prince's decision to eliminate "Darling Nikki," etc. and profanity
from shows?
3) Anyone see the Purple Rain Tour in person? Your opinion on the "Conversations with God" segment?
4) Anyone see the One Nite Alone Tour in person? Inspirational or too preachy?
5) Thoughts on the Rainbow Children album? Inspirational? Confusing?
6) Which Prince song has inspired you the most, and why?
You can view the entire discussion on my "Twitter favorites."
Although the discussion wasn't as extensive as it could have been, it did reinforce something: the messages in Prince's songs are inspirational to others. I really believe that the story that I'm trying to tell will do the same. I think anyone's triumph over his or her own internal struggles and realization of spiritual clarity--no matter what that spiritual clarity is--can be inspirational to others. You don't have to be of a specific faith to appreciate it.
I certainly want to keep hearing from all of you! Continue tweeting #prince and #princespiritual, or feel free to leave comments below! In fact, I'd love to see more answers to the questions (no one answered #3 and #4).
Thanks!
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Follow author Erica Thompson as she completes her book on Prince's spiritual journey on "a purple day in December." She provides updates on her writing and research, interviewing, networking and progress on securing a book publisher. And there are extra interviews, essays and pieces just for the fun of it! Cheer Erica on as she follows her dreams and the life of an extraordinary musician.
Friday, April 22, 2011
Tuesday, April 12, 2011
"Willing and Able" - Prince Paper Submitted to AEJMC
Ok, so I was gone even longer this time, but for good reason. As I mentioned earlier, I was working on a 25-page research paper, An Analysis of Rolling Stone's Coverage of Prince, 1978-2004.
It is completed, and I have submitted it to the Association for Education in Journalism and Mass Communication (AEJMC). Every year, AEJMC holds a conference to discuss the latest mass communications research. If I am selected to present in August (in St. Louis), it will be a great honor and boost to my credibility as a Prince scholar. I will find out in May!
How did I write the paper?
I looked at EVERY Prince-related Rolling Stone article from 1978 to April 23, 2004, when he told Entertainment Weekly, “It took me four albums to get on the cover of Rolling Stone, now it takes artists only one. There should be rules for that kind of thing!”
I also had the honor of talking to five Rolling Stone writers who covered Prince: Anthony DeCurtis, Jim Henke, Tom Moon, David Browne and Robert McNamara.
What did I find?
Prince actually landed his first Rolling Stone cover after the release of his fifth album, 1999. The magazine was beginning to cover African American artists again, and making a shift from featuring aging legends to embracing the new, cutting-edge artists popular with the youth culture. Meanwhile, the magazine was paying increasing attention to him as he recorded, toured, built an audience, and finally had an outstanding commercial success. After that, it could justify putting him on the cover—not only was he a fresh talent, but he would be able to sell magazines.
By contrast, today's music industry has changed to churn out more abrupt successes, and the magazine is often a reflection of that.
Overall, Prince has had a dynamic relationship with Rolling Stone. The magazine built him up to the status of its old heroes, Bob Dylan, the Beatles and the Rolling Stones during the 1980s and then criticized him for "mediocre" work in the 1990s.
Although Prince disagreed, the magazine appeared neutral regarding his struggle with Warner Bros.
Prince would eventually land the cover of Rolling Stone later in 2004 on May 27. His induction into the Rock and Roll Hall of Fame and successful tour reminded everyone of what he had accomplished.
I will post a link to the entire paper once I hear back from AEJMC, and, hopefully, develop a website of my music writing.
What about journalists' thoughts on Prince's spirituality?
I had some interesting disucssions with the Rolling Stone writers on that subject. Bits from those talks will be in one of the next few posts.
Happy to be back! Stay with me!
It is completed, and I have submitted it to the Association for Education in Journalism and Mass Communication (AEJMC). Every year, AEJMC holds a conference to discuss the latest mass communications research. If I am selected to present in August (in St. Louis), it will be a great honor and boost to my credibility as a Prince scholar. I will find out in May!
How did I write the paper?
I looked at EVERY Prince-related Rolling Stone article from 1978 to April 23, 2004, when he told Entertainment Weekly, “It took me four albums to get on the cover of Rolling Stone, now it takes artists only one. There should be rules for that kind of thing!”
I also had the honor of talking to five Rolling Stone writers who covered Prince: Anthony DeCurtis, Jim Henke, Tom Moon, David Browne and Robert McNamara.
What did I find?
Prince actually landed his first Rolling Stone cover after the release of his fifth album, 1999. The magazine was beginning to cover African American artists again, and making a shift from featuring aging legends to embracing the new, cutting-edge artists popular with the youth culture. Meanwhile, the magazine was paying increasing attention to him as he recorded, toured, built an audience, and finally had an outstanding commercial success. After that, it could justify putting him on the cover—not only was he a fresh talent, but he would be able to sell magazines.
By contrast, today's music industry has changed to churn out more abrupt successes, and the magazine is often a reflection of that.
Overall, Prince has had a dynamic relationship with Rolling Stone. The magazine built him up to the status of its old heroes, Bob Dylan, the Beatles and the Rolling Stones during the 1980s and then criticized him for "mediocre" work in the 1990s.
Although Prince disagreed, the magazine appeared neutral regarding his struggle with Warner Bros.
Prince would eventually land the cover of Rolling Stone later in 2004 on May 27. His induction into the Rock and Roll Hall of Fame and successful tour reminded everyone of what he had accomplished.
I will post a link to the entire paper once I hear back from AEJMC, and, hopefully, develop a website of my music writing.
What about journalists' thoughts on Prince's spirituality?
I had some interesting disucssions with the Rolling Stone writers on that subject. Bits from those talks will be in one of the next few posts.
Happy to be back! Stay with me!